Talking through this project, research and a performance installation based on the Buddhist 9 Cemetery Reflections on the decomposition of a corpse, it’s become all the more clear how important realm-building is for this. A durational installation needs to have a logic that makes the audience feel comfortable to come through and interact. This to me is a realm.
I wish to manifest a whimsical realm of infinite resource. It’s somewhere I have been visiting for this project. I don’t know it fully. I’m getting to.
Here’s some visual cues that taste it.
-Erotica by Toshio Saeki ^
Henrique Oliveira, Bololo, wood, hardware, pigment, site specific installation (National Museum of African Art)
- Artwork by Heather Phillipson (below) - Artwork by Dorothea Tanning ^
-These images from film Annihilation give the sense of the organic taking back over, in a surreal landscape encountered through expedition. When I came across this work I remember feeling like some of my creative realm had been articulated brilliantly. More information on the film and book it is based on http://collider.com/annihilation-movie-details/#book-changes